Narrative documentation translates the producer’s concept into a structured, communicable plan. These documents serve both as planning tools and as records of intent — demonstrating to assessors the depth of narrative thinking before production begins.
A one-to-two sentence summary of the core narrative. The logline states:
- The protagonist
- Their goal or situation
- The central conflict or obstacle
- What is at stake
Example: “A teenage girl from a recently arrived refugee family attempts to represent her school at the state athletics championship while navigating her parents’ disapproval of sport as an acceptable pursuit.”
A strong logline tests whether the narrative has a clear shape and sufficient conflict.
A short prose summary (1–3 paragraphs) of the complete narrative, including:
- Beginning: establishment of characters, setting, and situation
- Middle: development of conflict, complications, rising action
- End: resolution (or deliberate non-resolution)
A synopsis is written as present tense narrative prose.
A more detailed prose document (1–5 pages) that expands the synopsis to describe:
- The narrative mood, tone, and style
- Key scenes and their function in the narrative
- Character descriptions and their narrative roles
- The intended production approach (codes and conventions to be deployed)
- The relationship between narrative and production intent
A treatment bridges the gap between concept and pre-production planning.
For scripted productions (fiction film, drama, scripted podcast), the script provides:
- Scene headings (INT./EXT. LOCATION — DAY/NIGHT)
- Scene description (visual and audio codes, action)
- Dialogue
- Transitions
Script format is a professional industry standard that communicates both narrative and production intent simultaneously.
For broadcast and documentary media:
- A running order listing each segment, its duration, and its narrative function
- Common in television production, radio, and live event coverage
| Media Form | Primary Narrative Documents |
|---|---|
| Fiction film/TV | Logline, synopsis, treatment, screenplay |
| Documentary | Treatment, interview list, running sheet |
| Photography series | Concept statement, shot list with narrative annotations |
| Radio/Podcast | Script or outline, running sheet |
| Digital/Social media | Content plan, script for scripted elements |
EXAM TIP: In production documentation, quote or reference your narrative documents to demonstrate that your production decisions were grounded in a pre-production plan. Show the assessor the relationship between what you planned and what you produced.
REMEMBER: Narrative documentation is a thinking tool, not just a bureaucratic requirement. The process of writing a synopsis or treatment often reveals weaknesses in the narrative concept that can be addressed before production begins — saving time and resources.